Creative Critical Reflection

For a higher quality version of my CCR video please click here. Thank you so much for taking the time to watch my film opening and read my blog.

Film Opening- "Tiffany"

Our completed film opening is for a film we called "Tiffany". It's bittersweet to have finally completed this project. Although it took a lot of hard work, I believe it paid off in the end. Enjoy!

*p.s. Watch this with headphones for the best experience!




Philip Andrew Buckle. (n.d.). Nobody Like Me [MP3]. Australia: Universal Publishing Production Music Australia Pty. Ltd. APRA.
Phone Alerts And Rings [MP3]. (n.d.). YouTube.
Crises érotiques. (2017, May 26). PAS DANS LE CUL AUJOURD'HUI. Retrieved from http://freemusicarchive.org/music/PAS_DANS_LE_CUL_AUJOURDHUI/La_Comtesse_Sanglante/PAS_DANS_LE_CUL_AUJOURDHUI_-_La_Comtesse_Sanglante_-_07_Crises_rotiques

Voice Acting Coaching

Because I had written the script, it fell into my hands to direct our voice actor (thank Sophie!) on specifically how to say her lines and how to pace what she said. Although Chancellor and Jacob didn't really feel like timing of the narration was crucial, I gave the voice actor (who actually adapted to my suggestions very well) some notes on the length of pauses, the tone of voice, and the stress she should put on certain portions of dialogue. As we added these clips over our film opening, we were able to choose which lines we felt were the most necessary and cut any lines which were redundant and used up time for important dialogue. Although not all lines were preserved, we were still able to maintain the beginning of our film's plot and introduce Tiffany, the protagonist like we had intended.

One of the failed takes. Intonation was good for the most part, but the speed of some lines and pauses left between portions needed to be changed.

The final take. Tone, speed, volume, and pauses were all satisfactory to our expectations.

Even though we were not able to purchase a professional microphone, the audio produced by recording from Chancellor's phone should suffice. Although an echo is slightly audible in the audio, as this narration is supposed to expose the inner workings of Tiffany's brain, this echo feels fitting.

The Joys of Editing (Otherwise Known as Spending Hours on a Couple of Seconds)

Clip 1 (establishing Brittney and her setting)

Clip 2 (adding suspense to lead up to Brittney's murder)

Speed and length of clips was always a debate between Chancellor, Jacob, and I, with the pacing and meaning of clips often decided by these factors. Readjusting lighting digitally was always a struggle, and we watched far too many YouTube tutorials on how to do so. The pacing of the clips feels a bit rushed, but given the time limit we must stay within, it felt difficult not to keep a hurried pace to convey our plot. Although we realized some continuity errors during the editing process, they were often very small details only somebody who had worked on the project would notice. Hopefully, these mistakes are not enough to detract from our message.

Because we edited the video on Jacob's computer (and exporting takes far too long), these clips do not include the entire film opening, but are from the beginning of our editing process. We are in the process of adding sound into our film opening (including some foley, narration, and ambient music, but these clips had not yet had sound added to them.

Making Fake Blood

For our final shot we wanted to include some kind of gore as well as infer to the viewers that Tiffany had killed Brittney (rather than blatantly display it through a scene of brutal violence). Although none of us has had prior experience with fake blood, we need that we wanted to use it in order to convey this idea to the audience; so decided to follow a recipe. The recipe asked for one part water and three parts corn syrup, with red and blue (or green) food coloring until the mixture reached the desired consistency and color. Many dyed hands later, after adjusting the fake blood mixture (and dumping our first batch) we were able to make the fake blood we had imagined.

3 parts corn syrup and 1 part water

After adding red and blue food coloring, we realized that we had added too much water.

The mixture was not viscous enough and look more like cough syrup than blood.

The second attempt (more corn syrup less water)

The scene we were able to create. p.s. it looks better in the dark

Blood. Retrieved March 28, 2018, from https://thesecretyumiverse.wonderhowto.com/how-to/make-realistic-looking-fake-blood-0133528/

                               

Finally Filming!

Finding a filming location began promisingly but quickly became a hassle as the location we needed to film in (a house which we originally intended to be large and expensive-looking) is not exactly easy to book for several nights of filming. Because Chancellor, Jacob, and I did not even have an empty room we could stage for our film within our houses, we had to resort to asking any friends and relatives we knew to borrow a portion of their home until we were done filming. After our request was declined by several people, my aunt (who lives very close to us) graciously offered us her empty guest room which turned out to sufficiently serve its purpose.

Staging the bathroom using props

The room we used in my aunt's house didn't exactly scream teenage girl, so we had to put in some work to adjust the scenery and match our vision for set design. Because Chancellor, Jacob, and I don't have any makeup of our own, we asked our wonderful actresses to bring some of their own which we then chose from to decorate our set in the manner we thought best. Earlier, we thought of what objects we most envisioned when we picture our character Brittney, and many of the objects pictured are among those which we felt connected to the character. A multiple mirrors may reflect her self-absorption, various makeup utensils show her focus on appearances, and accessories like the fuzzy, white pom-pom shown are often associated with popular, teenage girls. 

Trying to figure out lighting in the relatively small room

Since we were limited to a relatively small, square room, we had to utilize it for Tiffany's initial shots and the setting of Brittney's room. Because we purposely chose low-key lighting for Tiffany's shots in the beginning, the obscurity of setting made it much easier for us to re-purpose the room. We filmed low to the ground, with the computers, tablets, and phones we placed into these shots filling most of the frame or sharing the frame with Tiffany. As the subject or focus was not the setting of the first shots, but rather Tiffany's clear obsession with social media, we are (hopefully) able to get away with not having two separate locations to shoot.

Framing, lighting, and the angle at which we shot at seemed to be consistent issues, but after many shots and readjustments we attempted to fix glaring issues. For aesthetically pleasing shots, we often framed the subject using ideas such as the rule of thirds (which we learned early into the year), however, it was often difficult to decide whether it was necessary to break filming guidelines, and whether doing so would portray a specific idea to the audience. Our storyboard helped immensely with keeping us on schedule, keeping our filming consistent, and allowing our shots to convey meaning as we had planned. Some shots and ideas had to be altered to fit our location, but overall I believe we have maintained most of the meaning we intended to construct through our film opening. It was interesting to direct and work with actors, given my history of having others also working on a project with me act. I am both dreading and looking forward to reviewing all of our footage.

Now that filming is wrapped, we just need to wait for our footage to export before we can begin editing. The incorporation of credits, a title screen, and editing together all of the footage we took is an integral (exciting) part of post-production. Especially given the fact that we are adding much of the sound in during the editing process, editing may be even more time-intensive than filming. Once we get into the editing process, I'll be able to explain more of the individual shots and choices behind mise-en-scène.